I've been watching
Nashville for the past month now. The budding TV critic in me -
I've done just that for work for three years, so do I still call myself "budding"? - is now inextricably tied up with the rest of me, so when you have a bunch of people claiming that the pilot episode of this drama revolving around, well, Nashville is the best drama pilot of the season, I will have to watch it.
So far, it's been fine. I love Connie Britton on
Friday Night Lights. I like the way this show hasn't made a deal about the songs - the last thing this show needs is to be marketed as a country
Glee, the same way
Smash was marketed as a Broadway
Glee. (I know "Broadway
Glee" is a bit redundant.) I like the way this gets on the business side of the record industry, which is really the same reason why I liked
Smash initially, until I had enough of the singing and I forgot to watch the next new episode one week. And no, contrary to what Immie thought, I'm not watching this for Hayden Panetierre - although I'm interested in how she portrays this weird cross between Lindsay Lohan and
Taylor Swift.
But my favorite part so far has been watching this one plot point about Scarlett, a waitress who ends up becoming a songwriter after an odd twist of fate. Clare Bowen's voice is lovely. I know, that sentence should be on
my other blog, but I'll say it again anyway: Clare Bowen's voice is lovely. The moment
the "big song number" on the pilot episode came on, I was sold. Now, if you'll excuse me, I'll watch it again.
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